Heidegger y la fenomenología de la existencia: una analítica cinematográfica del aburrimiento en la modernidad
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Fecha
2022
Autores
Hernández Albarracín, Juan Diego
Álvarez González, Carlos Fernando
Pallarès Piquer, Marc
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Editor
Centros Culturales de México, A.C.
Resumen
Este artículo presenta una mirada filosófica al concepto
de “aburrimiento” (Langeweile) desde sus formas (“por…”,
“en…”, “uno se aburre”) y modos estructurales (dejar vacíos y
dar largas), trabajados por Martin Heidegger en sus clases en
Universidad de Friburgo durante los semestres de invierno de
1929 y 1930. Rescatamos una postura filosófica marginal a las
posiciones tradicionales del pensamiento filosófico occidental,
pudiendo, en el tránsito hermenéutico-fenomenológico
propuesto, entrecruzar sus imágenes filosóficas con narrativas
cinematográficas que enriquezcan la comprensión fáctica de
la modernidad. Debido a esto, asumimos el aburrimiento y su
esencia, la aburribilidad (Langweiligkeit) como el temple anímico
fundamental (Grundstimmung) de nuestra era, permitiendo así
otras movilidades de pensamiento para estudiar los fenómenos
del entretenimiento cultural y el imperar técnico y tecnológico
como síntomas de la enfermedad moderna que pretende alejar al
Dasein del encuentro, interrogación y cuidado de sí.
This paper presents philosophical perspectives related to the concept of boredom (Langeweile) from the point of view of its forms (“because of…”, “in…”, “one gets bored”) and structural modes (leaving empty spaces and postponing) as developed by Martin Heidegger in his lectures at the University of Freiburg during the winter semesters of 1929 and 1930. We highlight a philosophical stance often overlooked in comparison to more traditional positions in Western philosophical thought—through the proposed hermeneutic-phenomenological processes, this will allow us to interweave their philosophical images with cinematographic narratives that enrich the factual understanding of modernity. For this reason, we assume boredom and its essence, “tediousness” (Langweiligkeit), as the fundamental mood (Grundstimmung) of our era, thus permitting other mobilities of thought that warrant a study of phenomena relating to cultural entertainment as a symptom of the modern disease that distances Dasein from meeting, questioning, and self-care.
This paper presents philosophical perspectives related to the concept of boredom (Langeweile) from the point of view of its forms (“because of…”, “in…”, “one gets bored”) and structural modes (leaving empty spaces and postponing) as developed by Martin Heidegger in his lectures at the University of Freiburg during the winter semesters of 1929 and 1930. We highlight a philosophical stance often overlooked in comparison to more traditional positions in Western philosophical thought—through the proposed hermeneutic-phenomenological processes, this will allow us to interweave their philosophical images with cinematographic narratives that enrich the factual understanding of modernity. For this reason, we assume boredom and its essence, “tediousness” (Langweiligkeit), as the fundamental mood (Grundstimmung) of our era, thus permitting other mobilities of thought that warrant a study of phenomena relating to cultural entertainment as a symptom of the modern disease that distances Dasein from meeting, questioning, and self-care.
Descripción
Palabras clave
aburrimiento, modernidad, temple anímico, Dasein, cuidado de sí, boredom, modernity, mood, self-care
Citación
Hernández Albarracín, J. D., Álvarez González, C. F., & Pallarès Piquer, M. (2021). Heidegger y la fenomenología de la existencia: una analítica cinematográfica del aburrimiento en la modernidad. Tópicos, (62), 193–222. https://doi.org/10.21555/top.v62i0.1624
