Deconstruzine: Gestión cultural feminista como estrategia para la construcción de paz en la frontera de Cúcuta (2025)
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Fecha
2026
Autores
Jaimes Campos, Gissel Carolina
Perez Vargas, Mishelle Julieth
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Ediciones Universidad Simón Bolívar
Facultad de Administración y Negocios
Facultad de Administración y Negocios
Resumen
El ensayo presenta un análisis de la experiencia del proyecto “Deconstruzine: un fanzine para construir paz en la frontera”, desarrollado en Cúcuta en 2025, como insumo para
identificar marcos teóricos que fortalezcan la gestión cultural y permitan generar estrategias con enfoque feminista en la construcción de paz. En este contexto, la gestión cultural se posiciona como una herramienta de mediación social que, a través del arte gráfico, la escritura colectiva y la creación simbólica, contribuye a visibilizar memorias, resistencias y
territorios de cuidado. La experiencia de Deconstruzine evidencia cómo las prácticas culturales pueden cuestionar las violencias patriarcales y coloniales presentes en la frontera,
proponiendo nuevas formas de narrar y habitar el territorio desde la memoria, el cuidado y la justicia simbólica. La investigación subraya la necesidad de consolidar marcos teóricos que legitimen estas prácticas y las articulen con políticas de desarrollo cultural sensibles al género y la interseccionalidad. Asimismo, plantea la Apropiación Social del Conocimiento (ASC) como horizonte indispensable para trascender lo local, reconociendo a las comunidades como productoras legítimas de saberes y cultura. De esta manera, la gestión cultural feminista se presenta como una estrategia innovadora para fortalecer la ciudadanía, la autonomía colectiva y la sostenibilidad de la paz en territorios fronterizos.
The essay presents an analysis of the experience of the project “Deconstruzine: a fanzine to build peace at the border”, developed in Cúcuta in 2025, as an input to identify theoretical frameworks that strengthen cultural management and enable strategies with a feminist approach to peacebuilding. The city, marked by Venezuelan migration, armed conflict, and economic informality, has been a scenario of multiple structural violences that shape community life and citizenship. In this context, cultural management is positioned as a tool of social mediation that, through graphic art, collective writing, and symbolic creation, contributes to making visible memories, resistances, and territories of care. The Deconstruzine experience demonstrates how cultural practices can challenge patriarchal and colonial violences present at the border, proposing new ways of narrating and inhabiting the territory through memory, care, and symbolic justice. The research highlights the need to consolidate theoretical frameworks that legitimize these practices and articulate them with cultural development policies sensitive to gender and intersectionality. It also proposes Social Appropriation of Knowledge (ASC) as an essential horizon to transcend the local, recognizing communities as legitimate producers of knowledge and culture. In this way, feminist cultural management emerges as an innovative strategy to strengthen citizenship, collective autonomy, and the sustainability of peace in border territories.
The essay presents an analysis of the experience of the project “Deconstruzine: a fanzine to build peace at the border”, developed in Cúcuta in 2025, as an input to identify theoretical frameworks that strengthen cultural management and enable strategies with a feminist approach to peacebuilding. The city, marked by Venezuelan migration, armed conflict, and economic informality, has been a scenario of multiple structural violences that shape community life and citizenship. In this context, cultural management is positioned as a tool of social mediation that, through graphic art, collective writing, and symbolic creation, contributes to making visible memories, resistances, and territories of care. The Deconstruzine experience demonstrates how cultural practices can challenge patriarchal and colonial violences present at the border, proposing new ways of narrating and inhabiting the territory through memory, care, and symbolic justice. The research highlights the need to consolidate theoretical frameworks that legitimize these practices and articulate them with cultural development policies sensitive to gender and intersectionality. It also proposes Social Appropriation of Knowledge (ASC) as an essential horizon to transcend the local, recognizing communities as legitimate producers of knowledge and culture. In this way, feminist cultural management emerges as an innovative strategy to strengthen citizenship, collective autonomy, and the sustainability of peace in border territories.
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Palabras clave
Feminismo, Gestión cultural, Apropiación social del conocimiento, Cultura, Frontera
